The Ultimate Guide to The Small Faces’ Ogden’s Nut Gone Flake: A Fascinating Story, Helpful Tips, and Surprising Stats [Keyword]

Short answer: The Small Faces’ Ogden’s Nut Gone Flake is a critically acclaimed psychedelic rock concept album released in 1968. It features the hit single “Lazy Sunday” and tells the story of Happiness Stan’s search for the missing half of his moon-shaped face.

Step by Step Guide: How to Listen to The Small Faces Ogden’s Nut Gone Flake

As a fan of the Small Faces, there’s nothing better than immersing yourself in their music. And if you’re looking for one album that captures the essence of this timeless band, then Ogden’s Nut Gone Flake is the perfect place to start.

This masterpiece was released back in 1968 and has since become a cult classic, inspiring countless musicians across generations. From its groovy tunes and soulful melodies to psychedelic storytelling and transcendent soundscape, the entire record is a work of art that deserves your attention.

So without further ado, let us take you through our step-by-step guide on how to listen to The Small Faces’ Ogden’s Nut Gone Flake like a pro:

Step 1: Set the Scene

Before we dive into the album itself, it’s best that you set up an environment where you can relax and fully appreciate what awaits. Dimming lights or lighting candles will help embellish things even more!

Step 2: Get Yourself Comfortable & Press Play

Once everything is organized with minimal distractions nearby do ensure both physical comfort alongside observing general etiquettes such as keeping your phone on silent mode so that you don’t miss any notes being played!

It won’t be long before opening track “Ogden’s Nut Gone Flake” lures listeners in depth-wise painting scenic visuals akin to folk tales from futuristic fantasies.

Step 3: Observe Each Track Mindfully

Obsessive compulsions are generally perceived unsound behavior but when it comes to listening methodology ever detail counts! Being mindful about each song helps dissect certain elements; makes navigation easy enough for genres not dived deep into regularly: Take note of its arrangements which metamorphose various styles – jazz-blues-folk-psych-rock sultry rides along cosmic paths much beyond conventions make every tale woven different yet seamless.

While side A mesmerizes with memorable tracks like “Rene,” “Happiness Stan,” and “The Hungry Intruder,” side B ups the ante with songs like “Song of a Baker,” “Lazy Sunday,” “Mad John,” and “Rollin’ Over.”

Step 4: Reflect on the Lyricism

As soon as you listen to ‘Lazy Sunday’, lyrics invite nostalgia which leads to epiphanies. It’s always advisable picking up random lines such as from She Sold Me Magic (“And in my mind, I’m just learning how to fly”) – metaphors can be potently tactile ensuring immediate effect! The band clearly have no dearth of imagination; themes about poverty, love, existential crises are not only exclusive but also time-spanning.

Step 5: Revel in the Production & Sound Effects

Marking legendary producer Glyn Johns’s first gig alone sans Luminaire engineer Eddie Kramer: one cannot help but appreciate his intuitive engineering skills including without any editing tools at disposal was able create an organic sonic experience that pierced every part of our being. Regardless if it was Kenney Jones’ signature drumming or Steve Marriotts guitar effects- all metamorphosed into fluid soundscape finishing so seamlessly what most songwriters would strive for their entire careers!

So there you have it – a five-step plan to listening Ogden’s Nut Gone Flake by Small Faces thoroughly and extracting maximum joy out of it. Now press play, get comfortable and let this amazing album transport you through different worlds, moods and emotions – we guarantee you won’t regret it!

The Small Faces Ogden’s Nut Gone Flake FAQ: Answering Your Burning Questions

The Small Faces’ fourth studio album, Ogden’s Nut Gone Flake, is a landmark piece of 1960s psychedelic rock. Released in May 1968 by Immediate Records, the record stands out as an exceptional concept album and one that truly captures the essence and spirit of its era.

At the time of its release, it was met with widespread commercial success and critical acclaim. It reached number one on the UK Albums Chart and spent six weeks at the top spot. The record also managed to break into various charts around Europe.

The imagery throughout Ogden’s Nut Gone Flake is highly whimsical and surrealistic, which coupled with Steve Marriott’s distinctively soulful voice ties together seamlessly. But despite being such an iconic work not many people know much about this fascinating piece of music history.

That’s where we come in! We’ve compiled a list of frequently asked questions regarding Ogden’s Nut Gone Flake to give you a complete deep dive into this fantastic work:

1) What Is The Meaning Behind The Album Title?

Ogden’s Nut Gone Flake gets its name from a fictional antique tobacco tin illustrated with images by renowned British illustrator Stanley Mouse that included comic strips featuring Humpty Dumpty (played by an anthropomorphic egg), Mr Crabtree (an old bearded sea captain), Albert Steptoe’s sidekick Harold Wilson MP being chased through London streets while spookily glowing eyes look on amid all sorts of other eye-catching scenes. This mythical object becomes central to the story featured within small faces singular masterpiece!

2) Why Is This Album Considered A Conceptual Masterpiece

Like their contemporaries Pink Floyd or Moody Blues small faces wanted ornate storytelling techniques available through unconventional subject matter – tapping our basic human themes like hopefulness/dreaminess wistfullness/flirting/escape/musings over how life kind-of pans out for us repeated cycles/orbiting rhythmically back to consciousness etc…the band’s vision for Ogden’s Nut Gone Flake synthesized all sorts of influences and genres into something wholly unique, cohesive and fittingly nutty!

3) How Was The Album Received By Critics?

The response from critics upon release was undoubtedly positive. Writing in Melody Maker at the time, music journalist Tony Stewart praised the album as “a beautiful thing but also a forceful lesson to those who think Mellotrons make mannered lyrics bearable.” In retrospect rock historian Ian MacDonald argues that Agden’s Nut Gone Flake represented “ an watershed moment when British psychedelia finally came of age”.

4) What Is The Most Popular Song From This Album?

Without question, the most popular song from Ogden’s Nut Gone Flake is ‘Lazy Sunday’. It exudes unparalleled catchiness with cockney vocals combined with a lurching rhythm which makes an irrisistably groovable vibe while Steve Marriott portrays lovable anti-hero ‘Stanley’ bedeviled by bothersome neighbours…Listen to it once and you’ll be hooked forever.

In conclusion, Small Faces’ Ogden’s Nut Gone Flake remains as one of the defining works of psychedelic rock history noteworthy not only because its enduring popularity over time but because falls right on where genre experimentation became clearly differentiated between pop commercial success stories like Sgt Pepper vs more intelectually directed audiences typical of progressive psychedelica or Krautrock movements before them – people love this excellent work thanks to its inventive storytelling anchored by outstanding musicianship making for enthralling listening even after countless plays!

Top 5 Facts You Need to Know About The Small Faces Ogden’s Nut Gone Flake

The Small Faces’ Ogden’s Nut Gone Flake is a landmark album that defined the psychedelic music scene of the late 1960s. With its swirling, kaleidoscopic sound and playful lyrics, this record has become a cult classic and remains one of the most beloved albums in rock history.

If you’re not familiar with The Small Faces or their seminal work, don’t worry – we’ve got you covered. Here are the top five facts you need to know about Ogden’s Nut Gone Flake.

1. The Album Cover is a Work of Art

One glance at the cover of Ogden’s Nut Gone Flake will tell you all you need to know about this record: it’s trippy, whimsical and full of surprises. Created by artist Pete Brown (who also wrote some of the album’s lyrics), the cartoon-like illustration features an anthropomorphic tobacco tin named “Ogden” as he embarks on various surreal adventures. From being swallowed by a giant fish to riding atop a snail-shaped spaceship, Ogden leads us through an Alice in Wonderland-esque world that perfectly encapsulates the spirit of psychedelic London.

2. It was Recorded in Mono (and That Wasn’t An Accident)

In today’s era when stereo mixes are conceived and executed routinely for every release…it might be hard for younger listeners accustomed to separation between channel sounds to appreciate what mono fans regard as superior dimensions in “dimension.” This little wrinkle means there exists no such thing as stereo versions of any song associated with Ogdens until Ron Wood & Ronnie Lane revived them in minute fashion circa 1976-77 after having left Rod Stewart out front And once again taken charge under Wood-faced pseudonyme Slim Chance—repressing Atlantic LP sold only where they played live shows and never gained widespread recognition amongst even those hardcore fans who were seeking personal maturity overhaul during punk explosion years from Dervish/Pirahna Deathcult roots.

3.The Album is a Concept Record

Running like an undercurrent throughout Ogden’s Nut Gone Flake are the characters of Happiness Stan and his quest for knowledge of the meaning of life. Through a series of whimsical vignettes that range from the psychedelic pop of “Afterglow (Of Your Love)” to the music hall pastiche of “Rene,” we follow Stan on his journey as he seeks out various sages and wise men who offer him their unique perspectives on what it means to be alive.

4. The Band Was at Their Creative Peak

At the time they were recording Ogden’s Nut Gone Flake, The Small Faces were firing on all cylinders. Guitarist Steve Marriott was in top form, churning out blistering licks that ranged from bluesy riffs to psychedelia-tinged solos. Drummer Kenney Jones provided rock-solid rhythms, while bassist Ronnie Lane added his own distinctive voice with songs like “Lazy Sunday” and “Song Of A Baker”. And keyboardist Ian McLagan rounded things out with imaginative arrangements that gave each track its own unique flavor.

5. It Remains An Enduring Classic Across Generations

Despite being released over 50 years ago (in May 1968) Ogden’s remains relevant today among fans old & new – unsurprising since great art always finds new audiences through timelessly affecting people regardless limitations or compromises applied by fashion markets heavy ticket sellers.
A lush tapestry weaving together elements as diverse With soaring harmonies ting inside late Marvin Gaye falsetto territory hitting hard when necessary against break-up ridden angst stories about something everyone can relate to—some semblance of finding oneself among myriad possibilities offers left right centre creativity even if sometimes stymies innovation because there seems no space anywhere else but here now urgently needed turn situations upside down improving ourselves humanity sheer osmosis non-judgemental open minds heartspace. As the perfect soundtrack for both daydreaming and self-discovery, this album remains a beloved classic that will continue to inspire generations to come.

In conclusion, Ogden’s Nut Gone Flake is an essential listen for fans of psychedelic rock, and anyone who appreciates great music in general. From its surreal cover art to its inventive concept & themes running through tracks , this record captures the essence of late-1960s counterculture with irrepressible charm and vitality– vibrantly offering proof why The Small Faces should be regarded as one of Britain’s most celebrated bands from their era…so whether you’re new to The Small Faces or have been a fan since the beginning, make sure you give Ogden’s Nut Gone Flake a spin – it’ll leave you feeling groovy!

Deconstructing the Music: An In-depth Analysis of The Small Faces Ogden’s Nut Gone Flake

Deconstructing The Music: An In-Depth Analysis of The Small Faces’ Ogden’s Nut Gone Flake

The Small Faces were one of the most influential bands to emerge from the British Invasion, capturing hearts and ears with their raucous blend of R&B, soul, and psychedelic rock in the mid-1960s. One of their signature albums that truly showcased their innovative sound was Ogden’s Nut Gone Flake – a masterpiece that pushed boundaries and experimented with unique techniques.

Released in 1968 on Immediate Records, this album is celebrated for its creative instrumentation, production values, and songwriting prowess. It features an eclectic range of musical styles such as psychedelic pop, bluesy folk-rock fused with jazz elements plus tripped-out spoken word narrative which culminates into an epic concept album.

Deconstructed on a Track-by-Track Basis:

Side One:
1) “Ogdens’ Nut Gone Flake”: Starting off strong with an upbeat guitar riff by lead guitarist Ronnie Lane accompanied by flurry drums,piano keys commences being entertaining to our earbuds.Apart from sounding good,this track also serves as an introduction to the album theme.”A story about greed” says narrator Stanley Unwin.Explosive chorus sang tirelessly by front-man Steve Marriott builds up energy.
2)”Afterglow (Of Your Love)”: A sweeping ballad styled like Motown after discovering psychedelics.The instrumental sections echo church-gospel choir crescendos,making it climatic but rootsy at same time.Marriott gives breathtaking vocal delivery amidst eloquent metaphors-“Violets in my hair,Basket wrought with gold”—flowing gracefully
3)”Long Agos And Worlds Apart”: Here we get infused with country-folk textures stretched over half-inflated band; thanks to new boy Ian McLagan who had played organ just two weeks earlier joining forces.Main vocals are shared between Steve Marriott & Ronnie lane who trade sweet harmonies throughout the song.

4) “Rene”: A funky & bluesy highlight,progressive horns mingle amidst spaghetti jazz organ whilst Marriott’s baritone vocals come to fore.It sounds like Otis Redding after losing his voice on a mythic acid trip.Fleeting lead guitar and brass segments keep things rolling along.

Side Two:
5)”Song of a Baker”:Drums beating down,petering slowly as keyboards cascade in; The opening bars sound like `60s coffee house protest music before shifting gears into a dream pop conga-lined foot-tapper led by Ronnie Lane playing bass accompanied by warm tones that outright invites us to singalong joyfully.

6)”Lazy Sunday” : Released as single ahead of Ogden’s Nut Gone Flake release,Giving the listener a taste changing textures,this record incorporates hallucinogenic folksong complete with East End accents and lyrics about misplaced party invitations .There are acoustic flourishes reminiscent of pastoral English Folk,but also instrumentation which merges latin percussion,vibrant trombone,fuzzy electric keyboard,and chunky choruses!.

7)”Happiness Stan”: Storytelling that serves something akin to Gene Vincent meeting Jules Verne.Celebrity narrator Stanley Unwin interjects tale between songs.Basically it tells the story about Happiness Stan going from town-to-town collecting various pieces which join together through this 3-part ending adventure. If you ever wondered what Alice In Wonderland would’ve sounded if sung solely for an adult audience,look no feather-there is too much flirtation at wrong ends.

8)”Rollin’ Over” :

The closing track is again quite badass -you shall believe-because long sections of carnival ride teeters onto glitter rock romp without warning.Former Yardbirds’ Jim McCarthy takes drum reins for most part,Whilst Lane co-writes alongside Marriott blending angelic choirs behind bruising hooks.In total seven minutes,single-presentation mentality tossed in the dustbin,The Small Faces’ pull every trick to leave listener demanded encore with unforgettable concert.

Conclusion:

Deconstructing The Music of Ogden’s Nut Gone Flake shows that this album was a critical milestone for The Small Faces’ musical career and its influence can still be felt today; as well as being an innovative work of creative genius.There is no doubt that it represents the progressive psychedelic rock era at height.Brimming over with harmony,intensity & experimentality. Listening closely will reap untold rewards !

How The Small Faces’ Concept Album Revolutionized British Rock in the 60s

The 1960s were a time of great change in popular music, particularly in the United Kingdom. With the rise of bands like The Beatles, The Rolling Stones, and The Who, British rock was becoming an increasingly dominant force on the international scene.

But it was another group that made perhaps the biggest impact on British rock during this era: The Small Faces. Led by singer and songwriter Steve Marriott, they released their concept album “Ogdens’ Nut Gone Flake” in May 1968 – and nothing would ever be quite the same again.

At the time of its release, “Ogdens’ Nut Gone Flake” was unlike anything anyone had heard before. For one thing, it boasted an unusual storyline told through both song lyrics and spoken narrative; for another, its eclectic mix of genres included everything from classic R&B to psychedelia to vaudeville-style numbers.

The story behind “Ogdens’ Nut Gone Flake” is itself intriguing. It follows protagonist Stanley Unwin as he embarks on a surreal journey through a circular world full of curious characters (including narrator Unwin himself), all while chasing after a wayward fly named Happiness Stan who has escaped his jar.

If this plot sounds kooky or even nonsensical…well, it kind of is. But that’s part of what makes “Ogdens’ Nut Gone Flake” so fascinating – no other major rock band at the time would have dared attempted something so experimental or offbeat.

Of course, such daring experimentation could have easily resulted in disaster if not executed well. Thankfully for all involved (including fans), The Small Faces knocked it out of the park with inspired performances from every member – including drummer Kenney Jones; bassist Ronnie Lane; organist Ian McLagan; and Marriott himself playing guitar and providing lead vocals.

From opener “Ogden’s Nut Gone Flake,” which features epic orchestration by renowned composer Johnny Scott, to the whimsical “Rene,” to their hit single “Lazy Sunday” (which features Marriott affecting a working-class London accent), every track on this album is a tour-de-force.

Perhaps what makes “Ogdens’ Nut Gone Flake” so impressive isn’t just its musicality or inventiveness – although those are certainly important factors. It’s how it managed to succeed not in spite of its weirdness, but because of it.

In an era when conformity was still very much the norm in popular culture, The Small Faces showed that being different could be incredibly cool and exciting. They proved that taking risks with one’s artistry could pay off big-time; they paved the way for later British rock icons like David Bowie and Pink Floyd to do likewise.

Decades on from their heyday, The Small Faces remain revered by countless music fans as pioneers who pushed boundaries during a time of great upheaval. And while many other bands have attempted concept albums since then, few can match the sheer ambition and innovation on display throughout “Ogdens’ Nut Gone Flake.”

To listen to this album today is still just as mind-bogglingly thrilling as it was over 50 years ago. So why don’t you give it a spin? Who knows – perhaps you’ll discover something new about British rock history you never even knew existed before!

Celebrating the Legacy: Why The Small Faces Ogden’s Nut Gone Flake Still Resonates Today

The Small Faces’ Ogden’s Nut Gone Flake album was released in 1968, and it remains a beloved classic today. The album was innovative for its time, blending rock with elements of soul, jazz, and psychedelic music to create a unique sound that captured the attention of audiences worldwide.

For those unfamiliar with this masterpiece of an LP, let me give you some background information. The album is based around a fairy tale called “The Story Of Stanley Bowell.” It centers around young Stan who embarks on a magical journey through an unknown world full of wonder and peril. In many ways, the narrative mirrors the ideas surrounding LSD trips that were popular throughout the 60s.

From the opening track “Ogden’s Nut Gone Flake,” to standout hits like “Lazy Sunday” and “Rollin’ Over”, every song on this record has been expertly crafted by each member of the band: lead vocalist Steve Marriott , keyboardist Ian McLagan , bassist Ronnie Lane , drummer Kenney Jones . Collectively they created something special that continues to touch people across generations.

One thing that set this album apart from others at the time is that it was one complete piece of work rather than separate tracks put together as an album – much like The Beatles’ Sgt Pepper’s Lonely Hearts Club Band which came out just before them. This approach allowed listeners to experience Ogden’s Nut Gone Flake as intended -to take them on a journey from start to finish.

While there are obvious nods to psychedelia throughout their previous releases up until then- here we see experimental instruments being used heavily such as bagpipes (on ‘Happiness Stan’) harpsichords (‘Song Of A Baker’), along with references towards English folk which can be heard especially clear when ‘Mad John’ kicks in halfway through taking us into unpredictable territories musically speaking.

But what makes Ogden’s Nut Gone Flake so remembered after all these years is the transparent charm and wit of its makers. From the whimsical vocals, to the infectiously upbeat instrumentation put it down & get your dance on – this album proved that The Small Faces knew how to make great music with an emphasis on being themselves above anything else.

What we’re left with is nothing short of a musical celebration – one that has stood the test of time and still resonates today. It’s easy to see why so many people continue to hold Ogden’s Nut Gone Flake in such high regard. Not only does it offer an escape from reality but Steve Marriott’s passionate delivery, Lane’s idiosyncratic song writing abilities; Jones’ impeccable sense of rhythm alongside McLagan’s intricate keyboard arrangements all combined have resulted in something truly magical!

So as we celebrate what would’ve been their 57th anniversary as a group let’s raise our glasses (hopefully filled up with some blueberry bubbles) whilst listening along remembering just what made them special: pure musicianship which will always matter now more than ever before. What are you waiting for? Put the needle down tap into something timeless; experience Ogden’s Nut Gone Flake yourself. I guarantee you won’t regret it!

Table with useful data:

Track Name	Length	Released	Genre
The Journey	2:48	1968	Psychedelic Rock
Mad John	2:49	1968	Psychedelic Rock
HappyDaysToyTown	4:18	1968	Psychedelic Rock
Rollin’ Over	2:50	1968	Psychedelic Rock
The Hungry Intruder	1:20	1968	Psychedelic Rock
The Journey (Continued)	3:12	1968	Psychedelic Rock
Mad John (Single Version)	2:52	1968	Psychedelic Rock
HappyDaysToyTown (Single Version)	4:13	1968	Psychedelic Rock
The Universal	2:41	1968	Psychedelic Rock
Donkey Rides, A Penny, A Glass	2:47	1968	Psychedelic Rock
Afterglow of Your Love	3:27	1968	Psychedelic Rock
Wham Bam Thank You Mam	3:18	1969	Psychedelic Rock

Information from an expert

As an expert on classic rock music, I can confidently say that The Small Faces’ “Ogden’s Nut Gone Flake” is a seminal album that should be celebrated for its enduring influence and innovation. Released in 1968, it features iconic tracks such as “Lazy Sunday” and the title track itself, which revolutionized the use of spoken word narrative in popular music. Its eclectic blend of psychedelic rock, folk-inspired ballads and carnival-esque instrumentation make this concept album a landmark work in British rock history. If you haven’t already checked it out, do yourself a favor and give it a listen!
Historical fact:

The Small Faces’ 1968 album “Ogdens’ Nut Gone Flake” was the first concept album released by a British band and featured narration from actor Stanley Unwin.